Mix contributor Larry Blake examines the topic of immersive sound for cinema and its three formats: Auro-3D Audio, Dolby Atmos, and DTS, in the September 2014 issue of Mix

The introduction in 2005 of the Digital Cinema Initiatives standard brought with it the largest wholesale change in motion picture presentation since the arrival of widescreen cinema and stereophonic sound in 1953. It differed greatly from the past because picture and sound specifications had already been carefully vetted by committees with an eye toward scalability of the DCPs (Digital Cinema Packages) that are sent to theaters.

via Mix contributor Larry Blake examines the topic of immersive sound for cinema and its three formats: Auro-3D Audio, Dolby Atmos, and DTS, in the September 2014 issue of Mix.