What Gravity’s Box Office Triumph Means for the Future of 3-D Film

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It happens every two years. After months of debating the financial viability of 3-D in the movie marketplace, a film comes along that silences the naysayers who describe the technology as nothing more than a money-grubbing gimmick. In 2009 it was James Cameron’s Avatar. With 2011 came Martin Scorsese’s Hugo. And earlier this month, Alfonso Cuarón’s Gravity became the most recent reminder of the genuine storytelling power that stereoscopic filmmaking holds.