Pan Nalin’s Gujarati film is an ode as much to movie-going as to movie-making. He romanticises the 35mm experience but stops short of decrying digitisation as the death of cinema.
Media | Cinema | Projection
Media | Cinema | Projection
Pan Nalin’s Gujarati film is an ode as much to movie-going as to movie-making. He romanticises the 35mm experience but stops short of decrying digitisation as the death of cinema.